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Collecting & Investing 


Reprinted from the Brewster Society Newsletter, Vol. 7, No. 3, Fall 1992


Modern kaleidoscopes: collecting & investing
by Judith Paul

I am, by vocation, an art conservator and by avocation, a kaleidoscope lover. Professionally it is my pleasure and profit to care for the painting collections of others. On my own time I spend some of that profit on my passion for kaleidoscopes. I collect with an eye to investment.

We collect kaleidoscope for all the reasons we collect other forms of art: as an adventurous hobby, to add beauty to our lives, express interest in an art form, search for the perfect piece to enhance a collection, to decorate and enliven our homes, to share a passion, to encourage the creativity of artists, to feed an addiction and to invest.

If we collect what we love, we will never be disappointed. Beyond love, there are factors we should keep in mind when considering a purchase.

1. Quality of construction
Whatever the medium, there are better and lesser crafts people. Excellence of materials combined with beauty of execution affect the durability and value of the art.

2. Authenticity
Signed and dated pieces from the artist or reputable dealer are the most collectible. Supportive documents are important to the provenance (the pedigree) of any artwork.

3. Importance and reputation of the artist
Creativity, innovative design, and excellent workmanship are sought and admired by collectors. A true artist's work is valued for its quality, individuality and soul.

4. The style: typical or rare
Some prefer to collect the premiere examples of particular forms. Others are drawn to rare, odd or one-of-a-kind scopes. Either approach can be rewarding.

5. Aesthetic merit
This is the most individual and personal criterion. The pleasure of owning something beautiful is a powerful factor in collecting. Critical acclaim can affect our judgement but it is our own experience and sophistication that most often tells us what beauty is.

6. Rarity
The fewer there are, the more they are desired. Some artists make only one-of-a-kind art. Others control price and availability by limiting their editions to ten or fifty pieces. These pieces are signed and numbered consecutively from one through the last number in the edition.

7. Significance in the history of the art form.
Innovation is a cardinal marker of value to a serious collector / investor. A scope that pushes the borders and redefines the limits has additional appeal to collectors.

The provenance (a history of the origins and ownership of a particular work of art) can be an important factor in terms of investment collecting. Pieces might be de-accessed from the holdings of distinguished collectors. Records should be kept of all such transactions.

A wonderful example of an investable modern scope is, of course, the legendary Van Dyke Series II. Introduced in 1980 in a limited edition of 50, it retailed for $3,800. It now sells easily for twice that figure. By all investment criteria, the Van Dyke Series II is a classic investment. I wish I had one. Or two. One to keep and enjoy and a second to sell to another scope lover-at a profit!

[Note: Ms. Paul took her 'scope passion one step further and became a kaleidoscope artist. For several years, she and husband Tom Durden have designed and produced a line of original, beautiful, exciting and amusing 'scopes for fellow collectors.]